This change is made with queue users in mind. Since sources
of this kind *know* how to (re)create themselves, they can
avoid being created at all until needed.
This also adds machinery to preload tracks *before* they are
needed, for gapless playback on queues and so on. Queues
make use of the event system to do this.
Far cleaner and more reliable than the old doc-link pattern. Also allowed me to spot some event types and sources which should have been made non_exhaustive.
Redresses a previous holdover from an attempt to get Restartable sources to work more neatly inside the synchronous mixer thread. This prevents `Restartable::*` from blocking without warning.
The initial fix at the time was to perform the restart work on a task provided by the tokio runtime as `executor::block_on` needs to be run from within a valid async runtime. Naturally, this completely missed the point that these closures should/could be async, without any need to fudge async functions into a sync wrapper.
Also removes the `From` for normal closures, as this will probably act as a footgun for folks on a single-threaded executor.
This implements a proof-of-concept for an improved audio frontend. The largest change is the introduction of events and event handling: both by time elapsed and by track events, such as ending or looping. Following on from this, the library now includes a basic, event-driven track queue system (which people seem to ask for unusually often). A new sample, `examples/13_voice_events`, demonstrates both the `TrackQueue` system and some basic events via the `~queue` and `~play_fade` commands.
Locks are removed from around the control of `Audio` objects, which should allow the backend to be moved to a more granular futures-based backend solution in a cleaner way.
